Did you contribute to this film?
Claim a Credit
DRUG OF CHOICE was one of those ideas that came to me out of nowhere, fully formed. I brainstormed through different scenarios but stayed with the idea of a mother who has to face her family while “high”. I felt it amplified the humor and stakes while providing more of a contrast for the tonal shift. I love an escalation, an opportunity to explore different states of being and that’s what the tonal shift provided for me. The idea of starting dramatic, working to a joyous frenzy, and then the internal shift that takes place as our Hero’s high crashes with her reality and her responsibilities to her family—that interested me. Working with the actor to find the best way to portray that in a performance that walked the line between grounded and heightened felt like an arc worth exploring while challenging myself to keep the film around a tight 1-minute mark. The cinematographer and I planned the camera work to reflect the escalation and our Hero’s interiority. Our camera is more controlled, considered as we capture the running footage but gets looser as the film escalates. As the runner’s high is kicking in, we are closer to our Hero, moving with her, we are in on her whims and joy. In the house we are handheld, spontaneously moving with the family to capture the frenzied energy. For the family scenes, we embraced the natural daylight streaming through the windows to enhance our Hero’s reality check, but playfully added some flashing coloured lights to represent where her head was actually. We shot this with a small budget and a small crew but we had so much fun making it. The high-energy nature of the creative was infectious, I hope that shows in the final product.
Genres | |
---|---|
Techniques | -- |
Duration | 1 Minutes |
Completion Date | -- |
Age Rating | -- |
Country | |
Language | |
Topics | -- |
Contact |
Sort by: