Filmmaker Statement

WARPIGS follows two American soldiers during World War II. Is not a film about combat, but about what war erases. The battlefield is internal: bodies trained to survive, emotions trained to disappear. The film seeks intimacy where violence leaves no space, focusing on silence, proximity, and what remains unsaid. As in today’s conflict zones, the individual disappears behind the veil of geopolitical greed. Soldiers are reduced to expendable bodies, cannon fodder sacrificed on the altars of power and strategic interests. War erases intimacy, desire, and choice, leaving only survival and submission. Warpigs was conceived as a rejection of war and of every form of violence legitimized by authority. States condition societies to believe in “just wars” while defending economic and political interests, turning human lives into collateral damage. In a world that insists on dehumanization, the film offers a quiet reminder: stay human.